Once the final identity and the two options of the brochures were designed I had a discussion with
Arzoo, which made me look at the designs more critically. From these discussions with
Sulekha,
Nishant and my guide
Tarun Deep
Girdher, I realised as a rooted organisation how much
Arzoo valued and wanted to stick to the feel of the children's handwriting in the existing identity, which was missing in my design. So I had gone through another set of refinements on the identity keeping the feel of children's handwriting and refining the children's faces look less vector and more lively as a child's drawing. During the refinement I tried to give more similarity to the existing identity. Also tried to give variations of
identities with the element of 'sun' bigger and smaller.
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